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90's

The Great White Hype – A Knockout Comedy

The Great White Hype - A Knockout Comedy
Samuel L. Jackson in The Great White Hype (Photo/FOX)

The Great White Hype, released in theaters on May 3, 1996, is a satirical comedy that takes a humorous jab at the world of professional boxing and the hype surrounding it. Directed by Reginald Hudlin, the film features an ensemble cast led by Samuel L. Jackson, who delivers a memorable performance as the flamboyant Reverend Fred Sultan.

The film’s plot centers on Sultan’s scheme to boost the popularity of his heavyweight champion and increase ticket sales and pay-per-view buys, James “The Grim Reaper” Roper (Damon Wayans), by finding a white challenger.and have an updated version of the Larry Holmes vs. Gerry Cooney fight from the early 1980s.

Jeff Goldblum plays the role of the opportunistic media personality, Mitchell Kane, who gets caught up in Sultan’s promotional circus.

Peter Berg portrays ‘Irish’ Terry Conklin, the clueless white rocker chosen to be the “Great White Hope.”

The Great White Hype works effectively because of its sharp satire and the cast’s comedic talents. Samuel L. Jackson is in his element, delivering his lines with his trademark charisma and intensity.

The film also features strong supporting performances from Jon Lovitz, Peter Berg, Corbin Bernsen, Cheech Marin, Michael Jace and Jamie Foxx, all of whom contribute to the film’s comedic energy.

The Great White Hype - A Knockout Comedy

Samuel L. Jackson in The Great White Hype (Photo/FOX)

Reception for The Great White Hype

Roger Ebert gave the film two out of four stars in his review, saying “It starts out well, as a wicked satire on professional boxing, and then loses its energy, tires of juggling its characters and ends so abruptly at 91 minutes that it feels like the last reel is missing.”

Legacy

The Great White Hype doesn’t shy away from tackling issues of race and media manipulation, but it does so with a comedic touch that keeps the audience entertained. It’s a movie that provides laughs while also offering a satirical commentary on the spectacle of professional sports.

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