Back in the late ’90s, Tony Scott was the king of stylized, high-octane thrillers and The Fan, released in theaters on August 16, 1996, was a perfect example. It’s the kind of movie you remember watching on a Friday night, fully invested in the over-the-top drama.
The film centers on Gil Renard (Robert De Niro), a man in his forties who sells knives for a living but lives and breathes for his favorite baseball team, the San Francisco Giants. His life is a mess—he’s lost his job and his family, and his only joy is a new star player, Bobby Rayburn (Wesley Snipes).
Rayburn is a cocky, arrogant star who just signed a massive contract, but he hits a slump. Gil, a fanatic in every sense of the word, takes Rayburn’s slump personally.
His obsession spirals into a dangerous mix of delusion and rage, leading him to try and “help” Rayburn.
But when his attempts fail, Gil’s devotion curdles into a murderous hatred, and he sets out to ruin Rayburn’s life and career.
The Fan features a great supporting cast, including Benicio del Toro as a rival player, John Leguizamo as Rayburn’s agent, and Ellen Barkin as a radio host who interviews Gil.
You also get some solid work from Charles Hallahan, Patti D’Arbanville, M.C. Gainey, Michael Jace, and Chris Mulkey.
Jack Black has an early role as a radio broadcast technician.
Former Phillies and Padres player John Kruk makes a cameo.
Scott’s direction is what really sells this. It’s all slick visuals, rapid-fire editing, and a pulsing soundtrack. It’s pure ’90s style, but it works, perfectly reflecting the frantic, unhinged mind of Gil.
De Niro is a force of nature as the fan, a disturbing character study of a man whose identity is entirely wrapped up in a game.
Snipes shines, capturing the high-pressure world of a superstar athlete.

Wesley Snipes in The Fan (Photo/Sony Pictures)
The film feels like a dark and unsettling commentary on celebrity culture and fandom that still feels relevant today.
Reception for The Fan
The Fan grossed $6.3 million on its opening weekend, finishing No. 4 at the box office.
The film would gross $42 million worldwide.
Legacy
When it was first released, The Fan was viewed as a bit too much. However, over time, it’s gained a solid reputation as a stylish and underappreciated thriller and its legacy is tied to that specific era of ’90s paranoia movies and a reminder of just how good De Niro could be when playing unlikable characters.
