The Contender (released in theaters on October 14, 2000) is a gripping political thriller that captures the ferocious nature of Washington D.C. at the turn of the millennium. Written and directed by Rod Lurie, the film serves as a sophisticated exploration of double standards, sexual politics, and the moral integrity required to lead.
It is a film that thrives on sharp, rhythmic dialogue and powerhouse performances, presenting the confirmation process not just as a legislative hurdle, but as a grueling, gladiatorial combat where the personal lives of public servants are used as weapons.
Following the death of the sitting Vice President, the affable and visionary President Jackson Evans (Jeff Bridges) shocks the political establishment by nominating Senator Laine Hanson (Joan Allen) for the vacancy.
Hanson, a principled and composed former Republican who switched parties, is the first woman ever considered for the office.
Her nomination, however, draws the immediate and vitriolic ire of the Republican opposition, led by the formidable and manipulative Congressman Sheldon Runyon (Gary Oldman).
Runyon is determined to destroy Hanson’s credibility, and his team unearths a scandalous, unconfirmed photograph allegedly depicting her participating in a sexual tryst during her college years.
As the confirmation hearings begin, Hanson is subjected to a relentless barrage of invasive questions and character assassination.
While the President’s loyal Chief of Staff, Kermit Newman (Sam Elliott), and a young, ambitious Congressman (Christian Slater) scramble to defend her, Hanson refuses to address the allegations, arguing that her private past is irrelevant to her ability to serve.
The tension escalates as political rivals like Governor Jack Hathaway (William Petersen) wait in the wings, hoping for her failure.
The narrative builds to a fever pitch as Hanson stands her ground against Runyon’s inquisitions, forcing the President and the American public to decide if a woman’s worth is measured by her record or by the rumors of her youth.
Philip Baker Hall, Robin Thomas, Saul Rubinek, Mike Binder, Kathryn Morris and Mariel Hemingway round out the stellar supporting cast.
Jeff Bridges in The Contender (Photo/DreamWorks Pictures)
Reception for The Contender
The Contender grossed $5.4 million on its opening weekend, finishing fifth at the box office.
The film would gross $22.4 million in its theatrical run.
Roger Ebert gave The Contender four out of four stars in his review.
The film was screened at the Toronto International Film Festival in September 2000.
Legacy
The legacy of The Contender is its enduring relevance as a critique of the gendered scrutiny faced by women in leadership.
It remains a staple of political cinema, praised for its ability to generate immense tension within the confines of committee rooms and back-alley meetings.
Today, The Contender is viewed as a definitive “Beltway” drama, recognized for its sharp insights into the nature of political theater and its haunting reminder that the highest cost of public service is often the loss of a private life.
