Hollywood Ending (2002) is a delightful comedy written and directed by Woody Allen, who also stars in this uproarious take on the film industry. The film showcases Allen’s signature wit and neurotic charm, along with a talented ensemble cast that brings his sharp screenplay to life.
Allen plays Val Waxman, a once-celebrated film director whose career has taken a downturn. When he’s given a chance to direct a big-budget Hollywood film, a sudden case of psychosomatic blindness threatens to derail everything. The premise is ripe for comedic chaos, and Allen masterfully exploits it for maximum laughs.
Tea Leoni stands out as Ellie, Val’s ex-wife and the studio executive who reluctantly gives him another shot. Leoni’s poise and comedic timing make her the perfect foil for Allen’s neurotic antics.
Treat Williams delivers a memorable performance as Hal, Ellie’s suave but clueless fiancé and studio head.
Tiffani Thiessen shines as a young, aspiring actress, while Debra Messing brings her trademark comedic energy to the role of Val’s girlfriend. Mark Rydell is excellent as Val’s long-suffering agent, and George Hamilton’s tanned and perpetually unhelpful studio executive is a comedic highlight.
Hollywood Ending is filled with witty dialogue, farcical situations, and satirical jabs at Hollywood’s absurdities. Allen’s direction keeps the pace brisk, and the film’s blend of slapstick and intellectual humor is sure to entertain.
Tiffani Thiessen in Hollywood Ending (Photo/DreamWorks Pictures)
Reception for Hollywood Ending
Hollywood Ending grossed $2 million on its opening weekend, finishing in 11th place at the box office. The No. 1 film for the weekend was Spider-man starring Tobey Maguire, Willem Dafoe and Kirsten Dunst, grossing $114.8 million.
The film would gross $14.6 million worldwide.
Roger Ebert gave the film two and a half out of four stars in his review, “I liked the movie without loving it. It’s not great Woody Allen, like Sweet and Lowdown or Bullets Over Broadway, but it’s smart and sly.”
Legacy
Hollywood Ending may not be among Allen’s most profound works, it’s undoubtedly one of his most purely enjoyable comedies.
