Cop Out, released on Feb. 26, 2010, remains a curious entry in Kevin Smith’s filmography. It’s an attempt at a classic buddy cop action-comedy, but unfortunately, it largely misses the mark. While it boasts a talented cast, the film suffers from a weak script and a lack of Smith’s signature comedic voice (ironically this is the only film he did not write that he directed).
Bruce Willis and Tracy Morgan star as Jimmy Monroe and Paul Hodges, two NYPD detectives whose partnership is on the rocks. Willis plays the straight-laced, veteran cop, while Morgan brings his trademark over-the-top energy to the role of the unpredictable partner. The premise has potential, but the execution falls flat.
The film’s biggest issue is its uninspired script. The jokes often feel forced and predictable, lacking the wit and cleverness that audiences have come to expect from Smith. The dialogue is frequently clunky, and the plot is a generic mix of drug dealers and stolen memorabilia.
Willis and Morgan’s chemistry is uneven. While there are moments of genuine comedic interplay, their dynamic often feels strained and forced. Morgan’s improvisational style clashes with Willis’s more reserved approach, leading to a disconnect that hinders the film’s comedic flow.
Kevin Pollak, Seann William Scott, and Jason Lee are relegated to supporting roles, and their talents are largely wasted. They are given little to do, and their characters feel underdeveloped.
The action sequences are competent but unremarkable. They lack the excitement and originality that would elevate the film beyond its generic premise.
Cop Out feels like a departure from Smith’s usual style. It lacks the personal touch, the insightful dialogue, and the pop culture references that define his work. It’s a film that feels like it was made by someone else, which is disappointing given Smith’s unique voice as a filmmaker.

Bruce Willis and Tracy Morgan in Cop Out (Photo/Warner Bros.)
Reception for Cop Out
Cop Out grossed $18.2 million on its opening weekend, finishing second at the domestic box office behind Shutter Island ($22.7 million) starring Leonardo DiCaprio and Mark Ruffalo.
The film would gross $55.6 million in its theatrical run.
Legacy
15 years later, Cop Out remains a missed opportunity. It’s a film that could have been a hilarious and action-packed buddy cop comedy, but instead, it’s a forgettable and ultimately disappointing experience. It serves as a reminder that even talented casts and directors can’t always salvage a weak script.
