King Solomon’s Mines, released in theaters on Nov. 22, 1985, is a rousing, tongue-in-cheek adventure film based loosely on the classic 1885 novel by H. Rider Haggard. The movie shamelessly embraces the high-flying escapism and exotic locales of adventure serials, arriving just a few years after the success of Raiders of the Lost Ark.
The plot begins with Jesse Huston (Sharon Stone), a feisty and resourceful young woman who arrives in colonial Africa determined to hire the legendary adventurer and guide Allan Quatermain (Richard Chamberlain) to search for her missing father.
Her father, an archaeologist, has vanished while seeking the fabled and treasure-filled mines of King Solomon. Quatermain, initially reluctant, is eventually convinced to lead the expedition.
Their journey quickly turns into a frantic race against two competing and equally ruthless forces: the menacing German Colonel Bockner (Herbert Lom) and the villainous Turkish slave trader Dogati (John Rhys-Davies).
Both men are also desperately trying to find the mines, leading to a series of elaborate and often comical set pieces involving giant spiders, hostile tribes, treacherous cliffs, and a perilous journey through a lost, primitive world.
The final act sees Quatermain and Jesse escaping various traps and dodging their pursuers to reach the colossal wealth that lies within the mines.
Directed by the veteran J. Lee Thompson, the film operates entirely on chemistry and charm.
Chamberlain is perfectly cast as the rugged, cynical Quatermain, while Stone brings fiery energy and wit to her role.
Richard Chamberlain and Sharon Stone in King Solomon’s Mines (Photo/The Cannon Group)
Reception for King Solomon’s Mines
King Solomon’s Mines grossed $5 million on its opening weekend, finishing No. 1 at the box office, topping One Magic Christmas, which earned $2.7 million on its initial weekend to come in second.
The film would gross $15.1 million in its theatrical release.
Legacy
The film’s legacy is intrinsically tied to the style of Cannon Films: a blend of high-concept action with a noticeable B-movie budget and sensibility.
Though often criticized for its camp elements, King Solomon’s Mines endures as a beloved, energetic piece of 80s matinee entertainment, leading to a sequel the following year.
