Dogma, released n theaters on Nov. 12, 1999, is a provocative, ensemble comedy that blends theological debate with sharp, R-rated humor. It is arguably the most ambitious film in Kevin Smith‘s View Askewniverse, tackling nothing less than the foundations of Catholic faith, redemption, and the existence of God—all while maintaining a distinctly irreverent, comic-book sensibility.
The plot centers on two fallen angels, Loki (Matt Damon) and Bartleby (Ben Affleck), who were banished from Heaven to Wisconsin centuries ago.
They discover a loophole in Catholic dogma: if they can successfully re-enter a church in Red Bank, New Jersey, they can exploit a decree guaranteeing plenary indulgence, thus proving God fallible and erasing all creation.
God, however, is missing, and the fate of the universe rests on preventing the two angels from achieving their goal before they reach the church’s consecration.
Chosen to stop this apocalyptic plan is Bethany Sloane (Linda Fiorentino), a distant relative of Jesus Christ who is also a disheartened abortion clinic worker struggling with her faith.
She is tasked with this world-saving mission by the formidable Angel Metatron (Alan Rickman).
Bethany is soon joined by a holy entourage, including the prophet Rufus (Chris Rock), a thirteenth apostle who was unjustly left out of the Bible; the Muse Serendipity (Salma Hayek), who is suffering from a crippling creative block; and the recurring, prophetic stoners Jay and Silent Bob (Jason Mewes and Kevin Smith).
The journey is a chaotic road trip across America, frequently interrupted by demonic forces led by the mysterious Azrael (Jason Lee) and the thundering voice of the Almighty (Alanis Morissette).
Key figures who challenge or aid the angels and Bethany include a sardonic talk show host (Janeane Garofalo) and Cardinal Glick (George Carlin), whose marketing efforts to make the church more “modern” are the unintended catalyst for the angels’ plan.
Bud Cort also makes a notable appearance.
Dogma (Photo/Lions Gate Films)
Reception for Dogma
Dogma grossed $8.7 million on its opening weekend, finishing third at the box office.
The film would gross $31.1 million worldwide.
The film was screened at the 1999 Cannes Film Festival.
Roger Ebert gave Dogma three and a half stars in his review.
Legacy
Dogma‘s is defined by its controversial yet intelligent handling of spiritual themes, sparking protests and intense debate upon its release. It remains a beloved cult film in Smith’s canon for its blend of theological exploration and hilarious, character-driven comedy.
