Misery is a frightening film based on Stephen King‘s novel of the same name that was released in theaters on Nov. 30, 1990. Directed by Rob Reiner with the screenplay by William Goldman and starring James Caan and Kathy Bates, the film is a chilling exploration of obsession, control, and the darkest depths of the human psyche.
Caan delivers a powerful performance as Paul Sheldon, a renowned romance novelist who is rescued from a car accident by his biggest fan, Annie Wilkes (Bates). However, Annie’s admiration quickly turns into a terrifying obsession, as she holds Paul captive in her remote cabin and forces him to rewrite his latest novel according to her twisted desires.
Bates’s Oscar-winning portrayal of Annie Wilkes is iconic. Her performance is both mesmerizing and terrifying, showcasing the character’s unpredictable and violent nature and her ability to switch between moments of calm and intense rage is truly remarkable.
Kathy Bates in her Oscar-winning role in Misery (Photo/Columbia Pictures)
Hollywood icons Richard Farnsworth and Lauren Bacall round out the cast.
Reception for Misery
Misery opened at No. 2 in the box office with $10.01 million, trailing Home Alone, which grossed $14.4 million in its third weekend.
The film would eventually gross $61.3 million in its theatrical run.
Misery was the highest grossing of King’s stories at the time of its release, surpassed by The Green Mile starring Tom Hanks in 1999 with $290.7 million. Currently, the top earner based on King’s work is It (2017) that grossed $701 million.
Legacy
The film’s tension is palpable throughout, as Paul struggles to escape Annie’s clutches and regain control of his own fate. The psychological torture that Paul endures is both disturbing and compelling, making the viewer feel empathy for his plight.
Misery is a masterclass in suspenseful storytelling. The film’s slow-burn approach to horror, coupled with its intense and often shocking moments, creates a truly unforgettable viewing experience. It is a testament to the power of storytelling and the human capacity for darkness.
