America’s Sweethearts, the 2001 romantic comedy directed by Joe Roth, takes a satirical peek behind the curtain of Hollywood’s carefully constructed illusions. It explores the chaotic world of celebrity, public image, and the messy reality of relationships, all while trying to orchestrate a seemingly impossible press junket.
The film centers on Gwen Harrison (Catherine Zeta-Jones) and Eddie Thomas (John Cusack), Hollywood’s golden couple, whose on-screen chemistry has captivated audiences for years. Off-screen, however, their marriage has spectacularly imploded, leading to a very public separation.
Their latest film, a highly anticipated blockbuster, is the only thing that can save their careers, but the eccentric director, Hal Weidmann (Christopher Walken), refuses to release it or even show it to the studio.
To salvage the situation, veteran publicist Lee Phillips (Billy Crystal) is tasked with a monumental challenge: somehow get Gwen and Eddie to appear together at a press junket for the film, convince the world they’re still in love, and get Hal to finally unveil his mysterious masterpiece. Lee enlists the help of Kiki Harrison (Julia Roberts), Gwen’s shy, overweight, and often overlooked sister, who also happens to be Gwen’s personal assistant and Eddie’s former confidante.
The junket is moved from the Four Seasons Beverly Hills hotel and unfolds at a remote resort. Kiki, who has secretly carried a torch for Eddie, finds herself caught in the middle of the manufactured romance and the genuine emotions that begin to resurface.
The ensemble cast adds to the comedic chaos, including Stanley Tucci as the exasperated studio head, Dave O’Hanlon; Hank Azaria as Gwen’s new, intensely loyal boyfriend, Hector; and Alan Arkin as the quirky Dr. Weiser. Even Seth Green makes an appearance as a studio assistant.
America’s Sweethearts is a lighthearted romp that, despite its star power, sometimes struggles to fully commit to its satirical edge. It offers a charming look at the absurdity of celebrity culture and the lengths to which people will go to maintain an image. The film’s strength lies in the chemistry between its leads, particularly Roberts and Cusack, whose understated connection provides the emotional anchor.
Julia Roberts and Catherine Zeta-Jones (Photo/Columbia Pictures)
Reception for America’s Sweethearts
America’s Sweethearts grossed $30.2 million on its opening weekend, finishing second at the box office behind Jurassic Park III, which pulled in $50.8 million.
The film would gross $138.3 million worldwide.
Legacy
America’s Sweethearts is primarily known as a pleasant, star-studded romantic comedy of the early 2000s. While it didn’t redefine the genre, it remains a watchable film for its engaging performances and its humorous take on the pressures of fame. It’s a reminder that even Hollywood’s most glamorous figures grapple with very human emotions behind the dazzling smiles and carefully curated appearances.
