Wild Things, released in theaters on March 20, 1998, is a masterclass in sun-soaked, double-crossing, and utterly addictive neo-noir. It’s a film that revels in its own audacity, delivering a whirlwind of twists and turns that keep you guessing until the very last frame. With a stellar cast and a plot that’s as slippery as the Florida Everglades, Wild Things remains a guilty pleasure that’s aged remarkably well.
Matt Dillon stars as Sam Lombardo, a charismatic high school guidance counselor accused of rape by two students, Kelly Van Ryan (Denise Richards) and Suzie Toller (Neve Campbell). What begins as a seemingly straightforward case quickly unravels into a complex web of lies, deceit, and hidden agendas.
The film’s strength lies in its ability to constantly subvert expectations. Just when you think you have it figured out, another twist is thrown into the mix, leaving you questioning everything you’ve seen. The script, by Stephen Peters, is sharp and witty, filled with memorable dialogue and unexpected revelations.
The ensemble cast is exceptional. Dillon delivers a nuanced performance, portraying Sam’s charm and ambiguity with equal conviction.
Kevin Bacon, as Detective Ray Duquette, adds a layer of cynical wit to the proceedings.
Campbell and Richards, both at the height of their popularity, are perfectly cast as the manipulative and seductive students, delivering performances that are both alluring and unsettling.
Theresa Russell (Black Widow), as Kelly’s troubled mother Sandra, and Bill Murray, as Sam’s eccentric lawyer, add further depth and intrigue to the film’s already complex narrative. Robert Wagner also makes an appearance as the Van Ryan’s lawyer.
Director John McNaughton creates a visually stunning film, capturing the sultry atmosphere of the Florida Keys with its lush landscapes and sun-drenched cinematography. The film’s pacing is relentless, keeping the audience on the edge of their seats from start to finish.
Denise Richards in Wild Things (Photo/Sony Pictures)
Reception for Wild Things
Wild Things grossed $9.6 on its opening weekend, finishing fourth at the domestic box office.
The film would gross $30.1 million in its domestic theatrical run.
Roger Ebert gave the film three out of four stars in his review, “Wild Things is lurid trash, with a plot so twisted they’re still explaining it during the closing titles. It’s like a three-way collision between a softcore sex film, a soap opera and a B-grade noir. I liked it.”
There were three direct-to-video sequels: Wild Things 2 (2004), Wild Things: Diamonds in the Rough (2005) and Wild Things: Foursome (2010).
Legacy
Wild Things is a film that embraces its own trashy brilliance. It’s a celebration of excess and deception, a reminder that nothing is ever quite as it seems. While it may not be high art, it’s undeniably entertaining, a slick and stylish thriller that delivers on its promise of pure, unadulterated escapism. It’s a wild ride that’s worth taking, even if you know you’re being played.
